Download A Broken Thing: Poets on the Line by Emily Rosko, Anton Vander Zee PDF
By Emily Rosko, Anton Vander Zee
In the sector of poetry and poetics during the last century, no inspiration has been extra alive and contentious than the assumption of shape, and no element of shape has extra emphatically backed this marked formal drawback than the road. yet what, precisely, is the road? Emily Rosko and Anton Vander Zee’s anthology supplies seventy unique solutions that lead us deeper into the area of poetry, but in addition some distance out into the area at huge: its humans, its politics, its ecology. The authors incorporated right here, rising and demonstrated alike, write from various views, when it comes to either aesthetics and id. jointly, they give a dynamic hybrid assortment that captures a extensive spectrum of poetic perform within the twenty-first century. Rosko and Vander Zee’s advent deals a beneficiant evaluate of conversations concerning the line from the Romantics ahead. We come to work out how the road could be an engine for beliefs of progress—political, moral, or differently. For a few poets, the road touches upon the main basic questions of data and lifestyles. greater than ever, the road is the novel opposed to which even exchange and rising poetic types that foreground the visible or the auditory, the web page or the display, should be special and understood. From the beginning, a unique lesson emerges: strains don't shape which means completely of their brevity or their size, of their changing into or their brokenness; traces reside in and during the descriptions we provide them. certainly, the historical past of yankee poetry within the 20th century should be advised by way of the compounding, and infrequently confounding, discussions of its strains. A damaged factor either displays upon and extends this historical past, charting a wealthy diffusion of concept and perform into the twenty-first century with the main different, wide-ranging and interesting set of essays so far at the line in poetry, revealing how poems paintings and why poetry maintains to subject.
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Additional info for A Broken Thing: Poets on the Line
The Scissors of Meter: Grammetrics and Reading. Ann Arbor: University of Michigan Press, 1996. Wheatley, Phillis. The Collected Works of Phillis Wheatley. Ed. John Shields. Oxford: Oxford University Press, 1989. Whitman, Walt. Complete Poetry and Collected Prose. New York: Library of America, 1982. Williams, William Carlos. Imaginations. New York: New Directions, 1970. ———. Paterson. Ed. Christopher MacGowan. New York: New Directions, 1995. ———. Selected Essays. New York: Random House, 1954.
Once nightly news. See the vultures and gnats flock to our shivering. Food’s necessity on me—like a Claw—. A gathering of wingly things so all you see is weather. Turning iridescent. Turning black. The kingdom of the body blown to ash. Buttons of us left in the sun. The crown and the teeth. The aftermath. No moist benevolent thing between us. Take me. Take half. ” Looking at these end words, the poem seems even more exploded or destroyed. This later version has a more intense tonal emptiness, and the line-break after the word “turning” suggests a kind of ironic self-consciousness about the prose poem form (that turns with or without an intentional turning), which I had in fact not originally intended.
He mocks, rather, the broader posturing of lines of defense that too often define (and confine) the poetry world. He plays the suggestive fool here, not just a partisan joker. The intervening decades between this burst of critical activity in the 80s and the present moment have witnessed a few notable developments in thinking about the line in poetry. In Bernstein’s edited collection Close Listening: Poetry and the Performed Word (1998), Perloff takes the occasion to return once more to the line.